Introduction:
Ragged Dick, a children’s story by author Horatio Alger, follows
Dick Hunter as he rises through the social and economic ladder in order to
provide a prosperous and educated life for himself. Alger’s novel falls into
the genre of Bildungsroman, a genre that essentially follows the ‘moral and psychological
growth of the main character’ (Merriam Webster). Stories in which follow the
development of young men into prosperous individuals proved a success for
Alger, and throughout his life he continued to produce many stories of the same
genre. Furthermore, bildungsroman has proven to be a successful genre (or plot
device) in itself, and many other novels (for example, F. Scott Fitzgerald’s ‘The Great Gatsby’) and films (for
example ‘Goodfellas’ or ‘Wolf of Wall Street’) have made use of
the genre.
(Compare and Contrast ‘Ragged
Dick’ with the trailer for Goodfellas, with particular focus on the
characterisation of Henry Hill)
Ragged
Dick: From Child’s story to Political Doctrine
Stories in which have followed the
‘moral and psychological growth’ of the main character, as aforementioned, have
been very influential within the movie and novel business. Although these
stories have also been important within American Politics. Politicians such as
Abraham Lincoln and Barak Obama have continuously reinforced the importance of
hard work and being a ‘rugged individualist’ and have referenced their own
stories as well as others to influence this ideology. Because of the political
and artistic influences, stories like Ragged
Dick have influenced many academics to deconstruct the main themes of these
novels.
Ragged Dick:
An Academic Discussion:
To exemplify some of the
discussions surrounding Ragged Dick, three texts in which explore the themes
featured in Ragged Dick will be discussed.
1. Gorman
Beauchamp, 'Ragged Dick and the Fate of Respectability': Beauchamp in his
article aims to historically contextualise the success surrounding Alger’s
ragged dick. Beauchamp discusses the figures surrounding the economic success
of Ragged Dick, while also referencing other individuals whom have been influenced
by the work of Alger, which include F. Scott Fitzgerald. Within his article
Beauchamp states that Alger repeated the tale of ‘a poor but honest lad who,
through grit, industry, and some well-deserved luck, pulls himself up from
poverty and into middle class respectability’ over ‘a hundred times’. This
comment is extremely important as it encapsulates not only the plot of Ragged Dick and other stories, but yet
also begins to highlight the importance of the repetitive language used in
other media, and by politicians which have influenced key American ideologies.
2. Cara Erdheim, 'Why Speak of American Stories
as Dreams': Erdheim, in her insightful academic discussion provides readers
with a summary of literary criticism on the American Dream from the mid-20th
century to the present day. Erdheim notes these different periods as ‘waves’ of
discussion surrounding the American Dream an academic response to it. In
Erdheim’s third wave, she discusses the present day discussion surrounding
literary response to the American Dream, and in doing so refrences critic
Pitofsky, who states ‘that Ragged Dick is less about selfish individualism and
more about assimilation into an upwardly mobile community’. Pitofsky’s comment
further supports the idea of Ragged Dick developing throughout the novel in a
moral and psychological way, as he begins to culturally appropriate those of
the upper/middle classes. This is shown through not only his change in clothing
in which evidently symbolises his development, but also through his relationship with Fosdick, in which his
education enables him to assimilate into the upper classes.
3. John
Swansburg, 'The Self-Made Man': Swansburg’s journalistic article chronicles the
stories of different ‘self-made men’ and discusses the myths that surround ‘historical
heroes’ such as Benjamin Franklin. Furthermore Swansburg discusses Horatio
Alger and Ragged Dick, and begins to comment on Ragged Dick as a prime example
of a narrative of a self-made man. Within his article, Swansburg discusses Dick’s
new suit as a metaphorical example of his assimilation into the upper classes.
He States that the ‘new suit (is)—a rite of passage into respectability that occurs
in every story’. This comment not only confirms the significance of Dick’s suit
in his rise to the middle class, but also reinforces the previous claim that,
within the genre of bildungsroman, similar plot devices are used, which occur ‘in
every story’ (Goodfellas trailer). Although Swansburg approaches Ragged Dick critically,
stating that ‘There’s more narrative tension in an episode of Scooby-Doo than
an Alger novel’. This claim, although highlight differing views on the novel,
fails to comment on the tension created in scenes such as when Frank and Dick
are accused of stealing the Lady’s wallet in the street car.
The
American Reality: Rising Through the Ranks
The Clip
below highlights the reality of rising through America’s class system. The Clip
shows the harsh realities to the economic ‘American Dream’, although it is
important for teachers and others who with influence over the socialisation of
young children, to encourage individualism and hard work whilst politicians
should recognise the reality of those at the bottom of society.
Bibliography
Merriam
Webster: online dictionary
Gorman
Beauchamp, 'Ragged Dick and the Fate of Respectability', <http://quod.lib.umich.edu/m/mqrarchive/act2080.0031.003/34:7?page=root;size=100;view=pdf>
Cara Erdheim, Why Speak of
American Stories as Dreams.
John Swansburg, 'The
Self-Made Man',
<http://www.slate.com/articles/news_and_politics/history/2014/09/the_self_made_man_history_of_a_myth_from_ben_franklin_to_andrew_carnegie.html
>
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